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by Liturgy

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Felix Chabot
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Felix Chabot Shit is good Favorite track: Generation.
Bruno Packard Hill
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Bruno Packard Hill A person made of light is grabbing your shirt, screaming and blinding you, but then you realise there're saying some interesting stuff
Tomi.V thumbnail
Tomi.V That lovely chaotic atmosphere . Manages to keep it nicely togther .
Overall effect : Smoothing Favorite track: Glory Bronze.
Enrique Arceo
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Enrique Arceo I understand why Liturgy is hated by so many black metal listeners, but this album stands out for me very well. It sounds like you are getting thrown into the surface of the sun with hints of sadness. If you don't mind black metal and are looking for something a little more different from the norm, I would definitely suggest this. Listening to this from beginning to end is also something I would strongly encourage. Favorite track: Returner.
Henry Harrison
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Henry Harrison Awesome screams and drumming, that's what I look for in my metal x) Favorite track: Harmonia.
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

      $9 USD  or more


  • Compact Disc (CD) + Digital Album

    CD version is in a 4 panel mini-LP style package with 20 page booklet and PMS Gold printing throughout.

    Includes unlimited streaming of Aesthethica via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 2 days

      $15 USD or more 




Brooklyn based Liturgy is Hunter Hunt Hendrix, Greg Fox, Tyler Dusenbury, and Bernard Gann. Aesthethica, their second album and third release, shows the band exploring, in greater depth, themes initially touched on by their critically acclaimed debut album, Renihilation. The band used every instrument, literal or figurative, to produce meaning and intensity, disregarding the genre boundaries of black metal, hardcore and experimental music.

On Renihilation, Liturgy made use of simple song structures, and concentrated on sustaining a blindingly high intensity level from start to finish. Aesthethica, a more controlled and polyvalent effort, finds the band operating at multiple levels and using more varied forms. The music is both elaborately crafted and chaotically performed. Songs often begin in the form of a simple chant or hypnotic abstraction, then evolve into something dense and complex. A constant sensitivity to the states of attention that different musical patterns activate and foster, yields a paradoxical result: the more complex the music, the simpler the message. Cycling through the fundamental modes of being: stasis, chaos, repetition and entelechy, Aesthethica is a metaphorical exercise in affirmation.

The record is a unified whole. A major concern, sonically and lyrically, is the question of what it is to be meaningful, and how intensity relates to emotion or affect. Many of the songs activate and manipulate cliches relating to heroism, tragedy, hope, and so on by connecting black metal techniques to the spirit of film score writing (Vangelis, Badalamenti) and post-Romanticism (Scriabin, Sibelius). "High Gold" presents a vision of apocalypse, "Harmonia" presents a judgment on the meaning of life, and so on. The resulting collection of songs, at once, embodies and transcends these tropes. The music is supersaturated with lofty melodies and lyrics, bursting with frenzied execution, and builds to a boiling point of chaos, distorting all meaning and distilling to reveal the raw core of pure sonic joy. Liturgy surrounds these fractured islands of meaning with a sea of a-signifying ritual repetition and sound (Branca, Sleep, Lightning Bolt). Tear at the seams of the straitjacket of ordinary life, release the energy from the field of potentiality that it binds, enter the realm of the good and the beautiful, so commands Aesthethica.

Highly technical musicianship, poetico-mystical gesturing, and a minimal directness; all singular elements, whose interactions and reactions are contained in and bursting from a black metal framework. Revelatory contrasts presented in an intensely physical performance whose energy is palpable and whose abatement is as illuminating as its arrival.


released May 10, 2011



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Liturgy Brooklyn, New York

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